Film Analysis: Band Frontman Jason Williamson Assumes Character in Critical Look at 90s Rave Culture

Helmed by Portishead co-founder Geoff Barrow, this sharp-edged though slight debut feature turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (Marc Bessant) initially steals from an passed-out supplier, then in a later recollection tries to burgle his own family home. In no time, he's upside down in the wreckage of his car in a woodland – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for townies, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Grimly Amusing Confrontation

Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The bigger point – that the rave-era youth were primarily out for number one – is clearly conveyed. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher turns up, enraged after David kills his dog. Still, a grimly amusing standoff takes hold – David eager to get away; the Woodsman denying his container of cider, intent on dousing him instead in resentful talk. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Promo-Inspired Vibe

There is only one key story turn, but it results in a comically executed rampage on the forest trails that dips close to rural terror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was focused intently doing artful shots of bugs in headlights in the early stages, he now goes all out with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.

The film is in British and Irish theaters from 17 November.

Jeanne Jones
Jeanne Jones

A tech journalist and digital strategist with over a decade of experience covering emerging trends and innovations.